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A common theme seen throughout the shows this year was a focus on comfortable shoes. While most designers outfitted their models in fun flats and strappy sandals Christopher Kane made headlines by trying to bring back the Croc, yet again. Although this wasn’t the focus of the show, one couldn’t help but comment. The real emphasis of his collection was on a woman’s life in suburbia, a tale that most graciously revelled in the 50s and 60s and whose theme seems apparent again today, at least in Christopher Kane’s take on fashion. His garments mocked mops, sponges and shower curtains as a longing for cleanliness and order amongst chaos and sensual undertones was ever present.

The Marc Jacobs SS18 show was the show seen (and not heard) around the world. Models walked in silence and many of us followed along via Instastory to the audience’s whispers, mostly praising Kaia Gerber. The show took place at the Park Avenue Armory – a feast for the eyes in and of itself. The audience took their seats in a single line around the show floor, each getting their own front row peek of the “runway”. As models lapped around the giant hall, the audience was left enamored for the tropical getaway Jacobs so eloquently created. You actually heard the movement of the fabric – swooshing and clinking – as you were transformed into another world.

Ralph Laurens’ display was not only one of classic taste but exclusivity as well –presenting his SS18 line in the comfort of his own home garage. We never doubted Ralph Laurens style, taste, or aesthetic and his presentation gave us one more reason to revel in his perfection. The models danced alongside his comprehensive car collection, giving the audience more than one beauty to admire. Between the cars and the clothes, it was if you were watching a show fit for 007 himself. Cars – ranging from classic to exotic – were the backdrop for the expertly tailored classic clothes Ralph Lauren is so well known for. Pieces were outfitted with pops of red and yellow, indicative of racing stripes and car grill motifs and “Monte Carlo” signage made their way onto the stage without being obtrusive.